best acid house and old school
classic house
SoundFactory – Understand This Groove (Original Dub)
Jan 2nd
Soundfactory is a Swedish music production and remixing team. download
Sunscreem – Perfect Motion (Boy’s Own mix)
Dec 4th
Sunscreem – Perfect Motion (Boy’s Own mix) a track that glows with pure simplicity and goodness.
Both mixes on the B-side are also classic, but neither come close to the sheer power of the “Boys Own” mix.
it sampled Simple Minds’s “Theme for Great Cities mp3 download
Jomanda – Got A Love For You
Nov 22nd
Jomanda is a female R&B/House vocal trio from New Jersey. Members include Joanne Thomas, Cheri Williams and Renee Washington. They had several hits on the U.S. Hot Dance Club Play chart during the first half of the 1990s, including “Got a Love for You,” which hit number one in 1991. It also crossed over to the mainstream, going top 40 (peaking at number 40) on the U.S. Billboard Hot 100. They are best remembered for that song, now considered a house music classic.
In 1993, they returned to number one on the dance chart with “Don’t You Want Me,” a track credited to Felix featuring Jomanda. A comeback by the group along with a new single for a forthcoming album was rumoured to be fact during 2002. No new music has surfaced from Jomanda since the rumour.
Group member Joanne Thomas died in October 2003 after a three year battle with colon cancer. downlaod mp3
Mr Monday – Future
Nov 22nd
Simon Monday has been and seen through the beginnings of acid house. In 1981 he bought his first synth; spending a few years figuring out how to make more than just gurgling/farty sounds and trying to emulate his then heroes DAF, PIL and Giorgio Moroder. In 1984 he moved to London to further get into electronic music – meeting people including Mix Master Morris and Tony Thorpe. In 1986 he bought his first sampler and began working with Thorpe on some of his early house compilations. “Keep On” was Monday’s first production, released on Greedy Beat Records under the name Mister Monday. In 1989 a young Judge Jules heard the somewhat bitty 12” version of “Keep On” and asked Greedy Beat if he could collaborate on a reworking of the track, which turned into the well received “Appreciate” featuring vocals from former flatmate and Colourbox singer Debbigne Curry.
Invites to perform live followed, including London’s ubiquitous Solaris and the very first Live at the Brian Performance – an association with Sean McKlusky (Sonic Mook) which led to the co-production of Sean’s then band IF with “Saturday’s Angels” becoming a firm favourite with the Boys Own contingent and getting the band a major deal with MCA and Glasgow’s legendary Sub Club run by Slam Boys Orde and Stewart. 1990 saw the initial release of ‘a mega rave anthem’ “Future” on Judge Jules and Roy The Roache’s fledgling Elevation Inc Recordings. Beset by teething problems and bankrupt distributions, few copies made it into the shops making it a coveted rarity amongst DJs and ensuring it’s status as a classic with DJs like Tony Humphries – who would finish his legendary sets with it for many years to come. In 1992 Monday formed Jetslags with Adamski and Hathem Al Sayed of Sensor. They made one record “Be Strong” featuring vocals by Elliot Sly of Sly & Lovechild and a few remixes – for Afrika Bambaataa and The Village People. They did their first live set at Love Ranch where Monday met Emerson for the first time. Also about this time, they were asked by Mark Stewart to collaborate on some studio material and live stuff, which meant several trips to Japan and Australia. Said album was co-produced with ON/U dub master Adrian Sherwood who in turn invited an ongoing collaboration with Monday that has included remixes for Garbage, Blur, Placebo, H17, Death in Vegas, The Cure and productions including Primal Scream & Sinead O’Connor. Along with tracks on Adrian’s self penned release – “Never Trust A Hippy” and the intended Mark Stewart Album. download mp3
Tony G – Tony’s Song
Nov 20th
Tony Garcia is considered the most important producer in “Freestyle” music. He started as a street DJ in NYC in the late 70′s. In 83 he released his first track “Can’t Get Enough Of You” for “Mr. T Records”.
In 86 he launched the megahit “Destiny” with “Betina”.
In 88 he founded his own label “High Power Records”, where he made his biggest hits with performers like: Peter Fontaine, N.V., Reinald-O, Lil Suzy and much more.
This classic track contains extracts of Al Pacino’s voice from the film Scarface over a very cathcy piano riff and bassline. “There’s a new bad guy in town and his name is Tony Montana”.
BBG – Snappiness
Nov 17th
This uses the same piano break as featured in Happiness (dub) on Soul II Soul’s “Club Classics Vol: One”. Goes to show the Nelleee hooper connection.
download..
Seduction Seduction (Vocal club mix)
Nov 17th
Produced by Civilles & Cole 1988. they are also known as C+C Music Factory is a dance music production group ( Robert Clivillés and David Cole) one tune
“Gonna Make You Sweat (Everybody Dance Now)”, reached number 1 on Billboard’s Hot 100 and R&B singles charts. After Cole died in January 1995, his partner Clivillés continued to use the C+C name alone. In 1989 the duo released a single and album under the name the 28th Street Crew.
Fingers Inc – Can You Feel It
Nov 16th
Larry Heard, Robert Owens & Ron Wilson are fingers inc download..
Victor Simonelli – Do You Feel Me
Nov 7th
Victor Simonelli’s name is synonymous with the cutting edge of the Dance Music scene. Simonelli is one of the New York’s finest and most prolific DJ’s. He was also one of the early pioneers of the unique NYC underground dance music movement that has now become a phenomenon it its own right and religiously followed by the clubbing faithful the world over. A producer/re-mixer, song writer, record label owner, and highly sought after DJ, are just four facets of this multi-talented young man. His discography of production, writing. mixing and editing credits reads like a “Who’s Who!
Victor’s love for music began as a youngster growing up in Brooklyn, New York. At a young age he was intrigued by his father’s huge record collection of jazz, blues,electronic,disco,new age,rock,soul,classical,new wave,ethnic, and world music. His parents could see he was talented at an early age and encouraged him to listen to all kinds of music. With this encouragement, and guidance of his parents, Victor took lessons in piano, drums, guitar and bass, as well as voice lessons. But something was missing.I liked trying all of the instruments, but nothing really grabbed me.By the age of 11, he began tuning into NY’s Radio Mix Shows on WBLS, WKTU and WXLO, (which later became WRKS,98.7 Kiss fm) and this is where he discovered the Art of mixing. When I started spinning – I just simply got lost in the music,” Victor said.
Victor’s career as a DJ started at a tender age , assisting his father. In 1979 Victor played one of his first parties with his Dad. It was a party which his Dad organized at Dance Hall (which became a seasonal event in the years that followed). In Autumn of 1982 with his Father, he entered a Tommy Boy Records Master Mix contest via Mail, (promoted via Tommy Boy Rec and Dance Music Report Magazine) , sending A master Mix which Victor and His Dad had done (of Tommy Boy Rec’s Tracks). The winners of the Contest (who’s mix was featured on Tommy Boy Triple Album) turned out to be Tommy Musto, Tommy Sozzi , and Ralphie D (who Victor did not know at the time), though who were also Brooklynites. Within a year Victor started spinning at mobile parties on his own. It was here that he learn his craft and began to develop and fine-tune his ear for music noticing what tracks to play and which ones had the greatest effect on the crowd while he was spinning. His Mother heard had a friend with a small club that was closing it’s doors, and bought Victor their whole Record Collection before closing. By the end of High School Victor could not help But notice that , something was not right, “I wanted to not only mix the music,” Victor explained, “but I wanted to create the whole production”.